Skip to main content

Emotion and Thought Expressed Through Art: Two new exhibitions

Detail of “Universal Gateway,” Chapter 25 of the Lotus Sutra, Japan, Kamakura Period (1185–1333), dated 1257. Handscroll; ink, color, and gold on paper. The Metropolitan Museum of Art, New York, Purchase, Louisa Eldridge McBurney Gift, 1953.

The Metropolitan Museum of Art
Anxiety and Hope in Japanese Art
April 8, 2023- July 14, 2024

Drawn largely from The Met’s renowned collection of Japanese art, this exhibition explores the twin themes of anxiety and hope, with a focus on the human stories in and around art and art making.

The exhibition begins with sacred images from early Japan that speak to concerns about death, dying, and the afterlife or that were created in response to other uncertainties, such as war and natural disaster. The presentation then proceeds chronologically, highlighting medieval Buddhist images of paradises and hells, Zen responses to life and death, depictions of war and pilgrimage, and the role of protective and hopeful images in everyday life. In the final galleries, the exhibition’s underlying themes are explored through a selection of modern woodblock prints, garments, and photographs.

Rotation 1: April 8–August 13, 2023
Rotation 2: August 26–November 26, 2023
Rotation 3: December 16, 2023–April 14, 2024
Rotation 4: April 27–July 14, 2024

The National Museum of Asian Art
The Art of Knowing in South Asia, Southeast Asia, and the Himalayas
March 25, 2023-ongoing

One of a pair of book covers for a Dharani Samgraha (detail), Nepal, 1650–1700, opaque watercolor and gold on wood, Gift of Joyce and Kenneth Robbins, Arthur M. Sackler Gallery, S2000.88.1–2

The Art of Knowing brings together highlights from our collections, some of which have never been on view, to explore religious and practical knowledge across time, space, and cultures. Featuring stone sculptures, gilt bronzes, and painted manuscripts from India, Nepal, Tibet, Bangladesh, Myanmar (Burma), Thailand, Cambodia, and Indonesia, this exhibition illuminates the critical role of visual culture in conveying Buddhist and Hindu teachings from the ninth to the twentieth centuries.

From Ganesha, the god of beginnings, to goddesses who personify wisdom, the artworks on view tell individual stories and reveal ways of knowing the world. “The Art of Knowing” asks how artists and objects shape wisdom traditions. How do shared images and designs reveal the movement of people and ideas across geographical regions? What do goddesses teach? And how does attaining knowledge end suffering?