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Ippodo Gallery
Joan B. Mirviss, Ltd
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Japanese Art
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Japanese Art
Sebastian Izzard LLC
NEW YORK LOCATION
17 East 76th Street, 3rd Floor
New York, NY 10021
Tel: 212 794 1522
By appointment only
Yoshida Hiroshi (1876‒1950), Kumoi Cherry Trees (Kumoi zakura), 1926, Color woodblock print, 23 x 29⅛ in. (58.4 x 74 cm), Signed: Yoshida (in brush), Hiroshi Yoshida (bottom left margin in pencil); Sealed: Hiroshi; Publisher: self-published (jizuri)
Yoshida Hiroshi (1876‒1950), Kumoi Cherry Trees (Kumoi zakura), 1926, Color woodblock print, 23 x 29⅛ in. (58.4 x 74 cm), Signed: Yoshida (in brush), Hiroshi Yoshida (bottom left margin in pencil); Sealed: Hiroshi; Publisher: self-published (jizuri)
Hashiguchi Goyō, (1880?–1921), Woman Applying Makeup (Keshō no onna), Color woodblock print, with gold pigment highlights and mica ground, 21⅝ x 15¼ in. (54.9 x 38.7 cm), Taishō shichinen (Seventh year of Taishō, 1918), Signed: Goyō ga, Sealed: Goyō, Publisher: self-published, Block-cutter: [Takano Shichinosuke], Printer: [Somekawa Kanzō], Certification: Tokudai nijū go (Special edition, no. 20)
Hashiguchi Goyō, (1880?–1921), Woman Applying Makeup (Keshō no onna), Color woodblock print, with gold pigment highlights and mica ground, 21⅝ x 15¼ in. (54.9 x 38.7 cm), Taishō shichinen (Seventh year of Taishō, 1918), Signed: Goyō ga, Sealed: Goyō, Publisher: self-published, Block-cutter: [Takano Shichinosuke], Printer: [Somekawa Kanzō], Certification: Tokudai nijū go (Special edition, no. 20)
Yoshida Hiroshi (1876‒1950), Sailing Boats — Midday (Hansen hinaka), Color woodblock print, 18¾ x 13⅞ in. (47.6 x 35.2 cm), Dated Taishō 10 (1921), Unsigned, Publisher: [Watanabe Shōzaburō], Sealed Shizuri (trial, or proof print)
Yoshida Hiroshi (1876‒1950), Sailing Boats — Midday (Hansen hinaka), Color woodblock print, 18¾ x 13⅞ in. (47.6 x 35.2 cm), Dated Taishō 10 (1921), Unsigned, Publisher: [Watanabe Shōzaburō], Sealed Shizuri (trial, or proof print)
ASIA WEEK AUTUMN 2023
Japanese Prints in the First Half of the Twentieth Century
October 4 – 27, 2023
Our Fall exhibition explores the world of Japanese prints in the first half of the twentieth century. This was an era of energy, new influences, and styles, and a refocusing of the Japanese print world by catering to new tastes. The man at the center of this revival was the entrepreneurial genius Watanabe Shōzuburō (1885–1962), whose publications form the greatest portion of the works in this exhibition. Deeply interested in Edo period ukiyo-e, Watanabe made it his project to rescue the art form, which had fallen somewhat out of fashion.
To learn more and view the exhibition, click here.
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