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Japanese Art
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Japanese Art
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Contemporary
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Contemporary

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Hasegawa Chikuyū (1885-1962), Deep in the Woods (detail: right side of a screen pair), 1920s, pair of two-panel folding screens, ink, mineral pigments, shell powder and gold wash on silk, 67½ x 74¼ in. (172 x 189 cm.)
Hasegawa Chikuyū (1885-1962), Deep in the Woods (detail: right side of a screen pair), 1920s, pair of two-panel folding screens, ink, mineral pigments, shell powder and gold wash on silk, 67½ x 74¼ in. (172 x 189 cm.)

Gōda Ippō (born 1875–1880, still active 1926), By the Fence (detail; right side of a screen pair), 1912, pair of two-panel folding screens, ink, mineral colors, and shell powder on silk, 61½ x 69 in. (156.5 x 175 cm.)
Gōda Ippō (born 1875–1880, still active 1926), By the Fence (detail; right side of a screen pair), 1912, pair of two-panel folding screens, ink, mineral colors, and shell powder on silk, 61½ x 69 in. (156.5 x 175 cm.)

Matsushima Hakkō, attributed (1895–1937), Twittering Birds, circa 1932, two-panel folding screen, ink, mineral pigments, shell powder, and gold wash on silk, 67¾ x 66¼ in. (172 x 168.5 cm.)
Matsushima Hakkō, attributed (1895–1937), Twittering Birds, circa 1932, two-panel folding screen, ink, mineral pigments, shell powder, and gold wash on silk, 67¾ x 66¼ in. (172 x 168.5 cm.)
Japanese Art 1910-1940
The exhibition will focus on folding screens and hanging scrolls from the Taisho era (1912-26) and early Showa era (1926-89), a time of great change for Japan and its arts. Superb works were created for the domestic market, in contrast to the export-oriented output during the preceding Meiji era (1868-1912). Though most painters of the Taisho and early Showa eras typically remained focused on traditional themes, they often experimented with new materials and perspectives. They shifted from stylized depictions of nature to naturalistic botanical studies. Making trips abroad, many painters incorporated foreign elements from their travels into their work.
Next to painting, bamboo baskets and intricate gold lacquer boxes from the Taisho and Showa eras will highlight the technical perfection in works of art that were executed in traditional formats and materials but explored new worlds of expression and design.