August 8, 2022
Bird-shaped Vessel, Three Kingdoms period (57 B.C.–A.D. 676), 3rd century, earthenware,
H. 12 7/8 in. (32.7 cm). Purchase, Lila Acheson Wallace Gift, 1997
Jegi: Korean Ritual Objects, The Metropolitan Museum of Art
August 6, 2022-October 15, 2023
Rituals and customs help celebrate life’s milestones, remember the past, and mark time. In addition to their significance as social conventions, rituals often reaffirm state, governmental, and religious principles. In Korea, performing ancestral rites (jesa) is an enduring tradition that embodies respect for parents and the commemoration of ancestors, key tenets of Confucianism.
During the Joseon dynasty (1392–1910), Neo-Confucianism was the ruling ideology. People engaged in rituals on the birth and death anniversaries for ancestors upward of five generations, and on major holidays, such as the Lunar New Year and Chuseok (Harvest Moon Festival). Court ancestral rites became the bedrock of Joseon political life and were enacted on a grand scale that included musical and dance performances. A key feature throughout was a table bearing food and drink offerings presented on jegi, or ritual objects.
This exhibition features the various types of ritual vessels and accessories that were used for this purpose and entombed, as well as the kinds of musical instruments played at state events. Though the vessels’ shapes, sizes, and materials may differ, a persistent feature is elevation, either through a high foot or a pedestal. In contemporary Korean society, no longer constrained by prescriptive state rules, jegi inspire contemporary artists and influence the form of everyday tableware.
The exhibition is made possible by the Ministry of Culture, Sports and Tourism of the Republic of Korea (MCST).
August 6, 2022
A Chinese "100 Bats" Porcelain Charger, Guangxu mark and likely of the period, Dia. 13 1/2 in.
Lot 1057, Estimate: $800-1,200
Online auction, New York
Online sale available now through August 12
Exhibition dates: August 8-10, 12-5pm
Doyle is offering Asian Works of Art Online as a timed auction closing on Friday, August 12, 2022 at 10am. Showcased will be the arts of China, Japan and throughout Asia from prominent estates and collections across the country.
Read more, click here
August 5, 2022
Photo courtesy of Erna Marcus
In June Stephen Allee retired from his 34-year long career at the Freer Gallery of Art and Arthur M. Sackler Gallery, National Museum of Asian Art, Smithsonian Institution, where he served as associate curator of Chinese paintings and calligraphy since 2012. Whether specialist or casual visitor, in person or as a reader, everyone who has engaged with the museum's renowned collection of Chinese paintings and calligraphy benefitted profoundly from Allee's exhibitions, online and print publications, illuminating wall labels, copious translations, enriching talks, and behind-the-scenes research, explication, and organization. Allee has also been deeply generous with and shared access to and information about objects in the collection to an unrivaled degree.
Stephen Allee's training and extraordinary abilities are as a linguist. In addition to studying classical and modern Chinese, especially ancient poetry, he also mastered Russian, Icelandic, and Old Norse. Building on his learning of the Chinese language that began in his teens, Allee studied ancient Chinese language and literature at George Washington University and the University of Washington. In 1978 he was one of the eight who were the first American graduate students to study in mainland China since 1949, and he spent a year-and-a-half focused on spoken Chinese, as well as classical Chinese literature and history, especially fifth-century poetry, at the University of Nanjing.
Allee's career at the NMAA began in 1988, and during those early years he worked under curators Fu Shen and then Joseph Chang and focused primarily on object research and documentation, as well as exhibitions. Since 2012 he has been responsible for all curatorial responsibilities for the museum's Chinese paintings and calligraphy.
Stephen Allee discusses Chinese paintings with interns at the NMAA. Photo courtesy of the National Museum of Asian Art.
The list of exhibitions in which Allee was involved during his long career are far too numerous to list. A few highlights are Painting with Words: Gentleman Artists of the Ming Dynasty in 2016, In Pursuit of Heavenly Harmony: Paintings and Calligraphy by Bada Shanren (1626–1705) from the Collection of Wang Fangyu and Sum Wai in 2003, and Brushing the Past: Later Chinese Calligraphy from the Gift of Robert Hatfield Ellsworth in 2001. Similarly Allee has written and contributed to myriad publications, including the online publication Song and Yuan Dynasty Painting and Calligraphy in 2010, the three-volume Contemporary Calligraphy and Paintings from the Republic of China in 1990, as well as the catalogues for the above exhibitions. Recently Allee contributed in Chinese the conference paper "Observations Regarding Dong Qichang’s Authentications on Seven Song Dynasty Works in the Freer Gallery of Art” and the catalogue entry "Qiu Ying, A Donkey for Mister Zhu” to the Shanghai Museum's 2019 project The Ferryman of Ink World: Dong Qichang's Calligraphy and Painting Art.
Looking ahead, Allee plans to focus more on research, with several studies of important paintings in the NMAA's collection in process. He also anticipates traveling, usually at a more leisurely pace that allows more time for deeper study. A generous teacher, Allee also hopes to participate in educational projects in which he can share the rich wealth of knowledge and experience that he has accumulated and to which we all eagerly look forward.
August 3, 2022
Dominique Paul, Insects of Surinam 7, 2013, (diptych) archival pigment print on Hahnemühle Photo Rag, 12 x 18 3/4 in. (30.5 x 47.5 cm). © Dominique Paul
Lasting Life: Dominique Paul & José Luis Fariñas,
Closing day August 5, with a reception at 6-8pm
Don't miss MIYAKO YOSHINAGA's summer show juxtaposing inspiring works by Canadian Dominique Paul and Cuban José Luis Fariñas. Insects are a common element in their work as a result of being fascinated by the abilities and secrets of species that have existed on this planet much longer than humans.
The opulent photographic collages created by Paul portray the survival of humans against a backdrop of imminent climate change and genetic transformation learned from the metamorphosis of insects, whereas Fariñas's delicate drawings explore the same issues beyond the physical sense. His work taps into introspective and philosophical implications of human existence.
José Luis Fariñas, The Beginning of the Emotions, 2007, extra fine brush and watercolor on paper,
14 1/8 x 20 in. (35.9 x 50.8 cm). © José Luis Fariñas
Summer Book Sale
In collaboration with 10X10 Photobooks, the award-winning advocate group for this genre, MIYAKO YOSHINAGA is currently offering 15-20% discount prices on a special selection of books by established and emerging international artists. Don't miss this opportunity to explore these books that cover issues from the environment to humanity. (some items are in-store purchases only).
Read more, click here
August 2, 2022
Chinese Carved Jade Figure of a Leaping Carp, ca. 19th-20th century
Nantucket Summer Antiques Show, Ralph M. Chait Galleries
August 5-8, 2022
Opening reception August 4, 6pm
Friday and Saturday 10am-6pm
Ralph M. Chait Galleries is participating in this year's show and displaying a wonderful assortment of porcelain, pottery, works of art, and China Trade pictures. This year’s show, which includes 32 carefully selected fine antiques dealers and art galleries from the US and abroad, offers art and antiques in every category. Organized by the Antiques Council, this not-for-profit organization is committed to supporting charitable organizations that benefit the Island of Nantucket, its history, and architecture.
Read more, click here
July 29, 2022
Tea-leaf Storage Jar and Tea Filling Ceremony 2022
Saturday, July 30, 11:30am-2pm
In conjunction with the previous tea lecture, Ippodo Gallery continues their collaboration with tea master Yoshitsugu Nagano. During this upcoming event, tea masters Yoshiki Mizoguchi and Mr. Nagano will teach you how to fill the tea urn with sencha, and get hands-on experience! Later, Mr. Nagano will do the tea ceremony and serve you tea with fresh unmatured tea.
To register, click here.